Monday, August 3, 2015

A Trio Driven Beyond the Wild Blues

10930908_498536026961963_3221085542528711777_nCD Review of the Self-titled Album Bo & The Bluesdrivers

Available on GES Music Label, Their Website and iTunes

Review by Joseph Timmons: Xombiewoof Magazine

In the smokey, dark and dimly lit bar rooms where old jukeboxes still reign supreme, and old men sit nursing whiskey & water, removing bad memories one sip at a time is where blues is the rhythm that coaxes the beat of the lonely heart. This is not the type of image one gets when they think of Los Angeles California, one thinks of Hollywood, bright lights and starlets prancing through the hot West Coast nights, but to the contrary, this is where Bo & The Bluesdrivers walk tall in lean & mean city streets, in a town known to eat it’s young.

10846429_414117462070487_1212995970887621411_nBo & the Bluesdrivers have been honing their music together for 10 years now. Meeting at an open jam hosted by Brian “Chewy” James, the group’s bass player and their drummer J.J. Garcia, it was a moment that all three knew things were right. Drummer J.J. Garcia has said, “The band came together both naturally and organically, with no stress or drama……..just making music that we dig”.

These days, they are in demand, performing throughout the West and also as studio musicians, with rhythm section drivers J.J. and Chewy working not only with longtime guitarist/vocalist Bo (aka Shane McMillian), but also on projects, TV, movie, sports appearances (including Super Bowl XLV) and national tours. With Bo & the Bluesdrivers, however, they make the music they want and tell it like it is.

This trio of talented and road worn musicians have more experience packed in their overnight bags than some have even to imagine, and in this wonderful, self-titled album Bo & The Bluesdrivers only has one flaw, it is way too short, leaving the listener wanting more. These 5 songs are the audio equivalent of a five finger sucker punch in a backroom brawl, lays you out flat! The sound is sublime and old school with steady tempo and sure stepped time followed by smoking hot bass and sizzling guitar riffs. Every song a triumph and worth every tear that would find its way to the dance floor.

A veteran of the Florida club scene, Bo’s travels have seen him sitting in with the legendary drummers Buddy Miles (Jimi Hendrix’s Band of Gypsies, Delfonics, Bootsy Collins) and Lynyrd Skynyrd’s Artimus Pyle before moving from Florida to L.A. 14 years ago. A world-class guitarist, you can hear his affinity for a variety of genres, from jazz, funk and soul to rock & roll come through loud and clear on such originals as “Out in the Streets,” audience fave “Walkin’ in the Park,” tasty instrumentals like “Sea Song” and “Chillin’” along with well-chosen covers of classics by Hendrix, Stevie Ray Vaughan, Pink Floyd and ZZ Top, among others.


With Bo & The Bluesdrivers, there is honesty in their songs; I am especially fond of “Ass, Gas or Grass” and “Out on the Streets”, firm and perfect storytelling in verse the whimsical charm of the old blues masters. This is an album worth the last fistful of dollars in your back pocket, and it will do you a whole lot better than a 3 finger of Johnny Walker Red

Find out more at their web site and follow them on Facebook

Friday, July 31, 2015

Rachel & The Ruckus Release New Single, "Bounce"

oneTrack From the Critically-Acclaimed Debut Album Rachel & The Ruckus meets public and industry with excitement

“A song about the power of being positive in the face of adversity and negativity"

Also Check Out An Interview With Rachel In Listen Up Denver, Here:

Rachel & the Ruckus release a new single, "Bounce", from their critically-acclaimed self-titled 2014 album. The uptempo, catchy song showcases front-person Rachel Alena's soulful, country-tinged vocals that are highly reminiscent of tunes by contemporaries like Shania Twain, Carrie Underwood, and Miranda Lambert, to name a few. Listen closely and you may even hear strains of Beth Hart, Diana Fuchs, and Janiva Magness in Alena, who calls her music "Mile High Melodic Blues-Rock". "Bounce" is the follow-up to "Romeo", the latter described as 'Shakespeare with a Modern-Day twist".

The Boulder, Co-based musician describes "Bounce" as "a song about the power of being positive in the face of adversity and negativity. It's about how people are prone to saying one thing to your face, but then secretly want to see you fail (or at least trip and stumble in your process). It reminds us that in the end we all need to ignore the nay sayers, focus on the good, give love and be positive to stay resilient in this world."

         They can say we're

                    Gonna trip stumble stumble

                                 Gonna trip stumble stumble

                                                  Gonna Bounce

                                                              They were never on the money

"Bounce was one of the first handful of songs Alec Sims (Rachel & The Ruckus guitarist) and Kyle Comerford (R&R drummer) wrote together over twelve years ago",  Alena continues. "It was a simple tune that just kept making its way back into the rotation as if it knew it's own destiny was to be recorded by Rachel and the Ruckus years later".


Rachel Alena grew up in the Los Angeles music scene and started making music before she learned to talk. She took her first musical cues from her mother and father who played in a band together and infused her with their deep love of music. Her father is often heard on the radio, having played guitar with classic Phil Spector-produced bands such as the Ronettes and the Crystals on popular songs like "Da Do Run Run" and "Be My Baby". Rachel was a session vocalist, who toured and also performed with the Los Angeles Philharmonic, before moving to Colorado in 2000 to continue her musical journey.

“Probably the best band you have not yet heard: Rachel & the Ruckus. They are a blues rock ‘n’ soul band that you have got to see. The band is tight and talented and Rachel Alena kills on vocals".

                                 MILE HIGH BLUES SOCIETY -


Wednesday, July 29, 2015

Introducing the Boho Series 2.0: Ukulele, Bass & Guitar


In 2013, we ran our first crowdfunding campaign to bring our upcycled oil can guitars to life. Now we are back, to introduce our newest line of instruments, the Boho Series 2.0, including the Ukulele, Bass and three new designs to the original Boho Guitar. The metal Boho bodies produce a richer range of tones not found in other guitars, for a truly unique and special sound.

To show appreciation for your support, we are bringing the Boho Series 2.0 to life with pre-order sales launching on Indiegogo today. Early bird sales start at $89 for the Uke (normally $109), $199 for the Guitar (normally $299), and $300 for the Bass (normally $450). We also have limited edition TNT design available only on Indiegogo and a limited edition, autographed G.Love’ Special Sauce themed guitar. There’s a sound for everyone! Join us and support #TeamBoho



Oil-can Guitars only Available from Bohemian Guitars

Express yourself with music. Express yourself with design. In addition to our original designs beloved by renowned artists and guitar enthusiasts alike, we are celebrating the introduction of Boho Series 2.0 with three brand new guitar designs: Bohemian Ales, Electric Limeade and Hot Sauce. And for a limited time, we are offering the rare “Collector’s Edition” TNT, only available during this Indiegogo campaign right now!



Monday, July 27, 2015

Fundraiser to produce Black Winter album

Lets get this started, any donation to this true to be groundbreaking project for Xombiewoof Records would help, 5$, 10$ ... anything you can offer would help, the artists working with us are giving their time and love of music and mankind, and the benefit to children's charities is the key. Go to and donate today, share with your Friends and Family, this is a project worth backing and if you are a large donor you get a copy of the album, and the knowledge you were a part of it. Every Penny Helps !!!!

Thursday, July 23, 2015

Dokken Back for the Attack at JD Legends

mike%2520Ritchie_thumb%255B9%255DFrom The Pit – Music and Show Reviews

By Mike Ritchie

From the knees down it looked like the packed house crowd in Franklin could have been sifting through the sands of the West Coast beaches under the warm LA summer sun as JD Legends presented the 80’s metal throw down sponsored by Harley Davidson. Saturday July 11 brought the legendary sunset strip action of Dokken with East Coast players Firehouse and Trixter.

Though commonly linked and lumped into the glam/hair metal category showed that whatever label is bestowed they’re still going strong, outlasting countless others and contemporaries that all tried to ‘make it’ back in the day. Though technically, the first two acts came to prominence in the early 90’s. They played their respective classics, favorites and new material that will remain timeless, proving that the music of the 80/90’s rock scene remains popular, vital and never truly went away.

DSC_0049New Jersey’s Trixter had their first run from the early 80’s to mid-nineties with MTV airtime on Headbangers Ball. After glam temporarily went out and grunge even more temporarily came in, (one of the few ‘hair’ bands that made flannel look fun) they broke up, reuniting in 2008. They opened for Dokken and Firehouse in the early days and for Scorpions and Poison on their first arena run. A second record Hear! followed but failed to catch on in the US with grunge in full swing. After the breakup/reunion New Audio Machine came in 2012 then Human Era this year and they’ve continued to tour since. If nothing else proving their staying power.

They broke out a cut from the machine, showing their still bad boys with a “Heart of Steel.” They were on MTV when it was still cool, making them “One in a Million.” The next tune was a little fast paced and loud for grandma’s chair so they invited certain crowd members on the “Rockin Horse.” Going back to the beginning they stood center stage in the “Line of Fire.”

Motley Crue has their anthem for the working girl but Trixter have theirs for the women that slay and play with ink. “Tattoos and Misery” is the greatest pain and pleasure combo on the market. They went back to ’92 on the “Road of 1000 Dreams” and ended with the Headbangers Ball garage/backroads introduction “Give it to me Good.” More of Trixter at

DSC_0136The original flame that started mid-80’s in Charlotte, exploded in the late 80’s-early 90’s and basically hasn’t stopped since, even outliving MTV’s glory days. The band that was ‘aqua net sprayed’ into the outskirts of the glam/hair scene and won Favorite Heavy Metal/ Hard Rock Artist in 1992 over grunge titans Nirvana and Alice in Chains have continued making new music with extended popularity overseas. They’ve cranked out eight records since 1990 and played a gambit of material acknowledging the early years with healthy doses while proving they’re not ‘nostalgia.’ The Firehouse was ready to sound off.

They set the place ablaze with some hose twisting “Shake & Tumble,” playing the loudest Dear John letter ever, that’s “All She Wrote.” “You’re too Bad” to Hold Your Fire. The tribal drums and arena cry that introduced the world to “Rock on the Radio” Firehouse style hit the speakers. Since 80’s rules applied that night with every hard rock thumper they needed a tender ballad follow up. Cue the keys and the bad boy soft side “When I look into your Eyes.”

DSC_0150Mama didn’t raise no Fool,” taking the first page from chapter 3 she told you “Love is a Dangerous Thing.” Keyboard synth and acoustics ushered in “Hold Your Fire.” The lovely brunette with the smoking house match suggested “Don’t Walk Away.” With half a decade from formation to success, they’re a self-proclaimed “Overnight Sensation.”

The satin sheets breathed from the synth, as sterling acoustics accompanied the waving hands, smiling faces and dancing bodies. As one of the last power ballads to be used on mix tapes proclaimed, I’ve finally found the “Love of a Lifetime.” They “Reach for the Sky” one more time saving the last shot for their video introduction “Don’t Treat Me Bad.” More at

Unfortunately a rushed schedule/technical difficulty reared its head multiple times during Dokken’s set, affecting the sound, band delivery and his voice on certain songs. They coped, performing through the various issues, apologizing several times as the show must go on. Though they stopped mid-tune on the “Tooth and Nail” encore from equipment problems they played many of their catalogue hits and staples.

DSC_0389From the sunset strip came “The Kiss of Death” as Dokken dressed in black and sunglasses brought back the classic 80’s, 90’s and beyond. They played and plunged “Into the Fire” as guitarist Jon Levine tore/shredded through the long haired history books with the spirit and energy of Randy Rhoads. They spit more Tooth and Nail on “You just got Lucky.” Dokken grinned, “See if you remember this one.” The glove tapped our ear taking a nightmarish trip back to Springwood as Millard Drive became Elm Street and the “Dream Warriors” came back.

They broke out the chains then got a little bit Dysfunctional on “Too High to Fly.” Paris burned bright in the night sky. With a chill of the cymbals the slow, somber chords played out as the stage went cold emotional blue and lighters, cell phones and camera’s lit up ‘the beach’ for the arena anthem. The crowd sang along happy to be “Alone Again” in the moment.

DSC_0397They took a few more turns from Under Lock and Key. The symbolic rain fell on the hot clear night during “In my Dreams.” Then the long flat-bed semi pulled out for a nostalgic trip down Sunset Strip and the boulevard of broken dreams on “It’s not Love,” sandwiching in a Free classic for the old-schoolers.




More Dokken at

JD Legends :

All images by Mike Ritchie

Read more from the pit articles and reviews by Mike Ritchie on his web site